Sunday, February 28, 2010
I have Megan once again to talk about some lesser known gems she's read recently in the genre. And if you'd like to read her previous post on the subject, here it is.
Today I am going to highlight three books that are each the first in a middle grade dystopian series. Middle grade is a great opportunity to introduce children to this subgenre. Even though at moments these books can be dark, they have substance and more themes running through them than Haddix’s Shadow Children series.
The Fire-Us trilogy starts with our introduction to several kids who have banded together in a family unit in the book entitled THE KINDLING. As far as they know a virus has killed off all adults and also made the children forget many aspects of their past. They forget their names and events from their childhood. These children find each other and bond. They survive through their mock family unit and mimicking a normal life. The older children have school and meals for the younger kids. The oldest male goes out and forages through the city for items they need. One day a strange visitor comes. The family cannot tell if he is good or bad, they don’t know what to make of him, but they are curious. Since meeting each other he is the only evidence that anyone else has ever survived.
The Virtual War series is by local Utah author Gloria Skurzynski. The first book in the series is called THE VIRTUAL WAR and we see the world through the eyes of Corgan. He was chosen from a very young age to be one of the ones who will fight a fake or virtual war with the opponents of other countries. In this future the governments have accepted the cruelties of war and have agreed to have them fought virtually through computer simulation. This simulation is then televised as a reminder of how bloody and violent the world used to be. As Corgan meets his two other team members, he begins to find out that his world is very different from what it had always seemed.
The Traces series by Malcolm Rose is probably the lightest of the three even though it directly deals with death. The series follows a teen trained in a futuristic crime scene investigation. The dystopian elements of this first book, FRAMED, are based on governmentally assigned mating matches and other uses of technology to determine one’s future. These dystopian elements are not the main focus of the book. This series is like a futuristic CSI for kids and is based on a murder mystery style. Even though the dystopian elements aren’t the main theme, they run consistently through the book making it an important element to the telling of the story.
EXODUS is a very ambitious novel with 3 very distinct and stunningly realized settings: a drowning island in the North Atlantic, the high-tech sky city of New Mungo, and a shadow world beneath New Mungo where a few relics of the past, including a cathedral and a university, still exist.
Mara is the kind of fearless and determined teen necessary for such a novel. She’s a leader wherever she goes, and even the subject of a mysterious prophecy known as “the stone telling” which tells of a girl who leads victims of the rising sea level to salvation.
On the surface, it’s a great action story about surviving at any cost. Dig a little deeper and you are keenly aware of what those costs are. When you can’t save everyone, who do you choose to save? And then, how do you live with your choice? If you are the architects of New Mungo, you do it by banishing the past and living for the “power of now”. If you are a resident of the shadow world, you do it by burying the past, and fervently believing that an outside force will come someday to set things right. And if you are Mara…well, that’s something I’m sure the sequels ZENITH (out now) and AURORA (no set release date) will explore.
EXODUS is available in paperback. Find out more about it and the rest of the series at the author’s website.
My Rating – 4 Zombie Chickens: An Excellent Example of the Dystopian Genre
See Index of all Dystopian Reviews on Presenting Lenore
Saturday, February 27, 2010
A dystopia is characterized by oppression, violence and terror. The lives of those within the society are inescapably bleak, and resistance is met with the worst kind of punishment. The setting is usually the not-too-distant future and the writer often reveals how our own world has become their terrifying vision of the future. In THE HUNGER GAMES, Collins describes a totalitarian society called Panem that grew out of the ruins of North America. In THE ADORATION OF JENNA FOX, Pearson extrapolates on the future of transplant technology, and how use can quickly become abuse.
In young adult dystopias, it is usually adult authority figures who are the villains, and the persecuted are teenagers. This dynamic is significant as the reader is herself at the whim of parents and teachers, and has a growing awareness of the law and governing bodies. These books tap into teenagers’ feelings of a lack of agency and independence. Reading about characters subject to similar strains, albeit on an often grander and bleaker scale, is undoubtedly soothing.
Societies in these novels don’t go sour on their own. Ironically, it is the pursuit of perfection, whether through medical advancement, total control or standardization of citizens, or religious fanaticism, that causes the disaster. The powerful take their personal ideologies to the extreme and impose them on all. They act in what they perceive is others’ best interests, but their misguided good intentions result in catastrophe, and one they are often blind to. These novels illustrate that striving for perfection is not only foolish, but dangerous. Teenagers are put under immense pressure to succeed. It’s no surprise, then, that a genre that shuns perfection is embraced by them.
Dystopias also help make sense of a complicated world. Things are often black and white in a dystopia: the totalitarian government must be overthrown; nuclear war will bring about the end of life as we know it; it is never right to put children into an arena and make them fight to the death.
A recent Wall Street Journal article by Katie Roiphe (‘It Was, Like, All Dark and Stormy’, June 6, 2009) examines a handful of recent releases and bemoans that ‘Somewhere along the line our teenagers have become connoisseurs of disaster.’ Roiphe believes that the economic crisis and swine ’flu epidemic are responsible for the advent of this ‘new disaster fiction’, as if dystopian novels have sprung up overnight.
Many factors have led to an abundance of ‘disaster’ literature today, but these sorts of books for children are not a new phenomenon. During the Cold War many nuclear apocalyptic titles were written for a young adult audience, such as John Wyndham’s THE CHRYSALIDS (1955), Robert C. O’Brien’s sinister Z FOR ZACHARIAH (1975) and Isobelle Carmody’s immensely popular OBERNEWTYN (1987), all of which have appealed to generations of teenagers. More recently John Marsden has received worldwide acclaim for his invasion dystopia TOMORROW, WHEN THE WAR BEGAN (1993), and the subsequent books in the series.
Roiphe also states that ‘Today’s bestselling authors are careful to infuse the final scenes of these bleak explorations with an element of hope.’ Despite their bleak premise, there is always a strong thread of hope running through dystopian novels for a young adult audience. In the end, the hero either escapes the oppressive society, or they overthrow it. This is true for novels written decades ago, like THE CHRYSALIDS, or titles released more recently. Dystopian novels wouldn’t work without hope. The message to the reader is that things don’t have to turn out for the worst: we can prevent total annihilation of the human race or sinking to the depths of cruelty, as even under the most brutal circumstances, someone will always be fighting for justice and freedom. This is a genre convention, not a last-minute addition by a wary writer.
The dystopias written for today’s teenagers compared with those of previous generations are as grim, and infused with the same hope. While there are many factors at play that have led to their popularity, authors are clearly engaging with themes that resonate with their audience, and this should be interpreted positively rather than with an alarmist knee-jerk reaction.
Friday, February 26, 2010
From the very first chapter, the fascinating world building, foreboding atmosphere and characters hooked me and had me wondering what the heck was going on (in a good way!). BIRTHMARKED is set far in the future, north of “unlake” Superior, and the Enclave seems to be the only settlement in a region dominated by a scorched, post-apocalyptic landscape. Those who live outside the wall depend on the Enclave for their livelihood and in return, the Enclave takes their healthiest children and brings them up inside. Both Gaia’s older brothers were taken, but she was not, due to a burn on her face she suffered before her first birthday.
While I was very entertained by the narrative – really there’s never a dull moment – I have to admit that I found the ultimate explanation of the Enclave’s “sinister” deeds to be rather tame. No doubt the man in charge is ruthless (and tends towards overreaction), but I never got the feeling that his iron fist was all that solid, and I kept wondering why the populace didn’t just kick his butt to the curb already. I also didn’t get what was sooooo special about the baby code that Gaia’s parents felt the need to protect it with their lives, unless as some sort of symbolic gesture of rebellion. Also? Sgt. Grey’s “dark secret” was so lifted from a soap opera I had to chuckle, although I guess it did fit very well with the particular strain of paranoia the culture was rife with.
BIRTHMARKED is due March 30th in hardcover. Find out more about it at the author’s website.
My Rating - 3 Zombie Chickens: Well Worth Reading
Thursday, February 25, 2010
Hi Kat! So what are some of your favorite dystopian/post-apocalyptic novels, if any? Did they influence you at all in the writing of Dark Life?
I love sci-fi, so anything even vaguely dystopian or post-apocalyptic will always catch my attention whether a book or film. I think the first novel I read that falls into the niche was Stephen King’s The Stand, followed by Richard Matheson’s I Am Legend (because in an interview King mentioned that it was his favorite book.) Both kept my imagination buzzing long after I’d finished them. Others that I’ve loved since then: Enders Game, The Handmaiden’s Tale, Feed, The House of the Scorpion, the Uglies series, and of course, The Hunger Games & Catching Fire.
They didn't consciously influence me. However, I’ve been an avid fan of dystopian films since childhood – Planet of the Apes, Logan’s Run, Blade Runner, The Road Warrior, 12 Monkeys, 28 Days Later, Children of Men, Sunshine… just to name a few favorites. So I know those images seep into my writing. But the funny thing is I never thought of Dark Life as a dystopia while I was working on it. My conscious influence was the Western. I was trying to capture the courage and vitality of the old west pioneers and the feelings of wonder and fear that they must have experienced, living in the wilderness. One of the recurring themes in Dark Life is that the survival of the group depends on their willingness to accept one another and work together. It’s a theme straight out of Stagecoach.
Dark Life is planned as a series. Why did you choose this format over a standalone novel? And what can we expect from the rest of the series?
Actually the premise for Dark Life came to me during a writing exercise – as a stand-alone book. I’d set myself the task of combining three things that my son loved to read about into one story – pioneers, the ocean and the X-men. But once I started designing the world, I kept coming up other adventures for my characters. I realized it was going to take more than one book to explore all the fun and freaky things that could happen to subsea pioneers.
As in the first book, the maturation of the territory will continue to parallel Ty’s personal growth as both try to achieve some measure of independence.
Let’s say climate change does cause the catastrophic conditions described in Dark Life. What would you personally miss the most? Is there anything at all you’d actually like better about that world?
Ugh, I’d hate living on the Topside in Dark Life. The loss of the forests and wildlife would devastate me. But, if governments and corporations worldwide were intensely committed to funding the research and development of clean energy alternatives – I’d see that as an improvement over our situation today.
Congrats on Dark Life being optioned for film. Have you had any fantasy casting sessions? Who would make an ideal Ty and Gemma?
Thanks! Honestly, I haven’t. Though my 10 y.o. daughter would like the producer to put the project on hold until she’s old enough to play Gemma.
Why do you think dystopian fiction has such a following these days? What’s the attraction?
It does seem to be gathering momentum, doesn’t it? But then, I’ll bet that’s true of speculative fiction across the board.
My humble theory -- our technology changes so fast these days and many people (especially young adults) are adept at learning how to incorporate those changes. Therefore there isn’t much market resistance when a new version of something comes out, especially if it seems like an improvement. I think the interest in dystopian fiction might stem from people’s desire to consider how new technologies and trends could play out in worst-case scenarios. Dystopian stories usually come embedded with a warning, which is why the best are so chilling. For example, it never even occurred to me that the Internet might bring on the apocalypse and then I read M.T. Anderson’s Feed…
Thank you Kat! Find out more about Kat Falls at the publisher's website.
Thanks to the UK publisher, I have 2 copies of DARK LIFE to give away to residents of Europe. Just tell me in your comment what most appeals to you about DARK LIFE and you're entered! I'd appreciate it too if you'd tweet a link or post a link in your sidebar, thanks! This contest will remain open for 2 weeks, until March 10th at 11:59 PM CST.
In my Incarceron review, I mentioned how varied the genres can be within dystopian fiction. Well, here’s a first for me: a western! And very untypically for a dystopia, Ty is not suffering under a repressive regime. In fact, he and his family are doing just fine under the sea, thank you very much. But Ty knows things back on land are not so peachy, and this fact is made clear by his chance meeting with a Topsider, Gemma, on the search for her older brother.
Gemma is a ward of the commonwealth, where “stealing space” (for example, making use of a spacious game room without paying) is a capital offense. She’s escaped from her boarding house, and never wants to go back – a great reason to help Ty.
Ty and Gemma are caught up in a new, dangerous adventure seemingly every chapter, so this is a perfect book for those who like a lot of action. As someone fascinated with the ocean, I also very much appreciated the world building and the undersea setting. The exploration of dark gifts – paranormal talents developed by children and teens who spend time under water - was particularly fun.
DARK LIFE comes out April 29th in the UK and May 1st in the US. It’s the first book in a planned series, though this installment feels complete (no cliffhanger).
My Rating – 3 Zombie Chickens: Well Worth Reading (especially for action fans) + an extra half chicken for the very clever final showdown!
Come back later today for an interview with Author Kat Falls and a book giveaway!
Wednesday, February 24, 2010
When a group calling themselves the Unidentified simulates a suicide to protest the power structure of their school, Kid’s investigation into their pranks attracts unwanted attention from the sponsors. As Kid finds out she doesn't have rights to her ideas, her privacy, or identity, she and her friends look for a way to revolt in a place where all acts of rebellion are just spun into the next new ad campaign.
Upcoming in 2011
The Water Wars by Cameron Stracher (Sourcebooks, Jan. 2011). This seems to be a book about problems caused by the scarcity of water - something very plausible scarily enough.
Delirium by Lauren Oliver (HarperTeen, spring 2011). "Love, the deadliest of all deadly things: It kills you both when you have it, and when you don't."
Lena Tiddle is looking forward to having the procedure on her eighteenth birthday that will keep her forever safe from amor deliria nervosa, the world's deadliest disease--commonly known as love. After she is cured, she will be assigned a job, and paired with a boy chosen for her, and she will live happily and peacefully forever, undisturbed by feelings of passion, temptation, or desire.
The Unwanteds by Lisa McMann (S&S/Aladdin, fall 2011) This is a dystopian fantasy about a society where strength and intelligence are rewarded in 13 year olds and creativity is punished by death. Alexander Stowe is an unwanted and is “purged” from his community.
Tuesday, February 23, 2010
I don’t often get fangirly in my reviews, but OMG does this book make me giddy! I’ve been thinking about it non-stop since I finished it last night, and I am excited to share what made me enjoy it so (spoiler-free of course).
This dystopia has a very sci-fi feel, especially when you realize that everyone Uppers and scrubs alike are essentially trapped within a very large, self-sustaining cube. It gets you spinning theories as to how they got there, why they’re there, and who controls “gateway” (the way out all scrubs are hoping really does exist).
This cube setting was difficult for me to imagine initially. Trella does A LOT of crawling through the pipes from one sector to the next, so it made things much simpler once I drew a diagram (there’s a detailed description in the first 10 pages that starts you out) to help me imagine the distances and locations of everything.
Speaking of Trella... She’s hard to like at first. She’s a stubborn, skeptical loner with a prickly, sarcastic personality. But as the story progresses, and she starts to let her guard down, your heart goes out to her as you realize it’s the divide and conquer techniques of the rulers that have molded and manipulated her (and everyone else).
And boy are the rulers messed up. Seems they seized control from a more democratic initial leadership, and make sure nobody is in the know except for them. Anyone who doesn’t conform to their 10 hour on, ten hour off shifts, who asks questions, or forms noticeable friendships is fed to the Chomper. They have a strict one child policy for the Uppers and encourage pregnancy in scrubs (but take the children away). There’s a lot of food for thought here on eugenics, class warfare, and such but it’s worked so well into the plot and action, you never feel like you are getting an info dump.
The plot kept me engaged throughout with its clever twists and turns. Along the way we get to know a great cast of characters, all of whom felt real to me (even the rat guy who was only given one page of face time).
My absolute favorite character was Riley, the Upper boy who becomes Trella’s ally and romantic interest. He is so YUM, I want to create a button that says “Team Riley” (though there’s no other team to be on really in this book) and post in my sidebar right under my “Team Peeta” button. I loved his and Trella’s scenes together, and how his silly sweetness really draws her out.
Ok, now that this is officially my longest review ever, I’ll wrap it up by saying the ending packed a punch. I thought it concludes this chapter of life Inside very nicely (the story arc feels complete, no cliffhanger), but still makes you eager to read further adventures when they come out. I just hope the next installment, OUTSIDE IN, due in 2011, has lots and lots of Riley!
INSIDE OUT is due in paperback original on April 1st. Find out more about it on the author’s website.
My Rating: 5 Zombie Chickens – The Ultimate Dystopian Experience
Thanks to the publisher, I have two finished copies of INSIDE OUT to give away to residents of the US and Canada. Just tell me in your comment what most appeals to you about INSIDE OUT and you're entered! I'd appreciate it too if you'd tweet a link or post a link in your sidebar, thanks! This contest will remain open for 2 weeks, until March 8th at 11:59 PM CST.
See index of all dystopian reviews on Presenting Lenore
Welcome to my life ;) (And yes, the eagle eyed among you will notice that BOTH cats are indeed in the bag)
In cat contest news, Emmy and Finn conceeded defeat to Magellen and Penelope in the categories of beautiful baby and cutest cats (though they are secure in the knowledge that they are the cutest cats in the world despite what anyone else thinks). They are, however, in a tie-breaker for cutest couple with none other than....Magellen and Penelope.
If you feel the urge the vote in the tie-breaker, vote here. If not, it's ok too.
Monday, February 22, 2010
It’s not often you have three strong female leads in a novel, especially in a work of dystopian fiction. And while the teen character, Rachel, is the main agent in setting up the action of the story, you can take her character at face value – overprotected, naïve, impetuous, and daring. It’s Vivian and stern Mrs. Moore (who I totally imagine as Judi Dench) who provide the secret backgrounds and satisfying twists.
The politics and regulations of this new US (Unified States rather than United States – though the change was so subtle, I admit I didn’t even notice it, see interview below) are brutal and show clearly what might happen if an entity like Homeland Security should ever take over and throw out The Bill of Rights. While I definitely appreciated the back story and world building, too much of it happened up front and in the form of exposition which threw off the pacing. What you have now is a slow build in the first half (a less patient reader might snark that the first half is dominated by tons of talk and orchid cultivating in the greenhouse) before the action picks up dramatically in the second half after a chilling visit into town.
THE LINE is due out in hardcover March 4th and its sequel (Yes, there’s a pretty evil cliffhanger) THE AWAY is due in 2011. Find out more about the books and read the first chapter of THE LINE at the author's website.
My Rating - 3 Zombie Chickens: Well Worth Reading
And now a warm welcome to author Teri Hall!
What are some of your favorite dystopian novels, if any? Did they influence you at all in the writing of THE LINE?
The Road by Cormac McCarthy, The Giver by Lois Lowry, Never Let Me Go by Kazuo Ishiguro are three that I love. And while I would not say that they influenced me while I was writing The Line, I would say that they inspired me, and still inspire me.
In THE LINE, the US is the only country that isn’t given a made-up name. Is there a particular reason for that?
Actually the U.S. is called the Unified States in the book, not the United States. I wanted to suggest the idea that while now we have (or at least think we have) a group of states united together, with certain sovereign rights preserved, to form the U.S., in the world of The Line the states have been unified—they are all under the control of one governing body and there are no individual state rights, nor does the constitution limit the power of the government in any real way over states or individuals.
I thought a very subtle change in the name could convey this, while at the same time also conveying the notion that often, it is very subtle changes over time which add up to the loss of freedom. We don’t notice the day to day adjustments to our rules and regulations, until one day we wake up and we are required by law to possess special papers if we wish to leave our own country. (Sound familiar to anyone?)
As far as the other country names, they are all based on something about existing countries or how existing countries might change and combine over time to become new countries.
Throwing out the Bill of Rights in the name of National Security is something that almost seems plausible given some of the current political rhetoric. Is a world like what exists in THE LINE in our future?
I don’t know. But I wanted to ask that question and others (Why do we fear what is different? How can we overcome that fear and learn to embrace what is essential about persons, and ensure that we all enjoy the same rights and freedoms? What exactly do we include in our definition of persons? Can we come up with a better definition?). Encouraging discussion was one of the things I hoped for—I have had some wonderful responses from teachers about using The Line as a discussion tool in class rooms and I think that is exciting.
When Rachel surfs her version of the Internet, she reads rumors of sheep-cats and other mutations. What is the strangest thing you’ve ever read on the Internet?
Um, wow. Too many things to mention.
Why do you think dystopian fiction is so hot right now? What’s the attraction?
I really think dystopian fiction never goes out of style. Some people like it because it’s a little frightening, some because it really allows one to escape into another world entirely. There is a fabulous list of dystopias dating from the 1960s to the present, compiled by Dr. Amy H. Sturgis, at http://eldritchhobbit.livejournal.com/262872.html. Great titles that show a long fascination with this genre.
I have 3 hardcover copies of THE LINE up for grabs to residents of the US and Canada. Just tell me in your comment one of the strangest things you ever read on the Internet and you're entered! I'd appreciate it too if you'd tweet a link or post a link in your sidebar, thanks! This contest will remain open for 2 weeks, until March 8th at 11:59 PM CST.
See Index of all Dystopian Reviews on Presenting Lenore
Sunday, February 21, 2010
I first got really excited about reading this thanks to Rhiannon Hart’s review where she said “It's like the Goldilocks of books: everything is juuuuuuuuuust right.” And come on, how could I resist a book with not only a cat on the cover, but a main character who can converse with cats (as well as all other animals). I’m so envious!
For the most part, this 1987 novel lived up to my expectations. The world is described just enough to get you up to speed, but not so much that it suffocates you with unnecessary detail. The plot, with its focus on a group of misfits that can ‘true dream” sometimes seems like it is going to veer off into some mystical mumbo-jumbo, but the denouement is actually quite clever and logical in the framework of the post-apocalyptic landscape.
And Elspeth – I just loved her. For all her paranormal gifts, she comes off as remarkably normal and relatable. She’s not shy, but she’s cautious. She’s curious, but not demanding. She may just be the most powerful person on the planet, but she’s humble.
The only aspect I found lacking really was the cartoonish way the villains were portrayed, and the two-dimensional quality of some of the supporting players. Madam Vega, in particular, had so much potential, but her character just didn’t go anywhere which was a big disappointment.
Of course, it is always possible that at least some of these characters will be fleshed out better during the course of the series – after all there are 5 more books already out with 2 more planned for an October 2010 release (pictured). Find out more about them at Obernewtyn.net.
My Rating – 4 Zombie Chickens: An Excellent Example of the Dystopian Genre
Though I thought it got off to a slow start, once I settled into this novel’s rhythms, I was completely sucked in. I found it particularly interesting to see the gradual decline of Lauren’s community over a 3 year period, a stark contrast to a lot of apocalyptic fiction where the world is changed by a sudden event and there is a precisely defined before and after. Of course, even in a world of gradual decline, an individual can still have a defined before and after, and in Lauren’s case, it has to do with the event that forces her out on the road finally to fend for herself which comes about halfway through the narrative.
Lauren is a fighter and a survivor, and once she is out on her own, things start to really get interesting. I read this together with Megan of Po(sey) Sessions (we kept track of each other’s progress via twitter) and it wasn’t until this point that the novel really clicked for her. It’s because once Lauren starts her journey, she meets new people outside of her own experience that really broaden her understanding (and ours) of how bad it’s really gotten. Particularly galling is the government sanctioned slave driving that a lot of companies engage in because there are so many desperate people they can take advantage of. But we also meet (or at least see) cannibals, drug addled pyromaniacs, girls forced into prostitution by their own families, and “sharers” – people who share others pain and pleasure because of a drug they were exposed to in utero.
I wasn’t thrilled about the religion Lauren made up (and tended to skip the passages at the beginning of each chapter that were supposedly her teachings), but I did like that it added to her already very well-rounded and fascinating character. I’d definitely be interested in picking up the sequel, PARABLE OF THE TALENTS, to see how Lauren’s journey continues. (BTW - book boths are available in paperback)
My rating – 4 Zombie Chickens: An Excellent Example of the Dystopian (or in this case, Post Apocalyptic) Genre
Saturday, February 20, 2010
So I asked Jen Robinson of Jen Robinson's Book Page to write a guest post about the series for me. You see, not only is Jen a fellow dystopia fan, she's also my book twin. Odds are if she loves a book, I'm going to love it. She also writes amazingly concise yet in-depth reviews that are a joy to read, which makes her one of my top go-to book bloggers when I want reading recommendations. And you know what? I think she may have finally made me excited about picking up this series!
Hunger and Gone are the first two books in a projected six-book series by Michael Grant (book 3, Lies, is scheduled for US publication May 4, 2010). The Gone series features an irresistible premise for dystopia junkies. One day, in the middle of the school day, an impenetrable dome appears around the town of Perdido Beach, CA. (For what it's worth - Gone was published nearly a year and a half before Stephen King's The Dome). The Gone dome has a 20 mile diameter, and also encompasses a nuclear power plant, a snooty boarding school, a national park, and a sweep of ocean.
What the dome doesn't encompass is adults. Everyone over the age of 14 vanishes when the dome arrives. Other teens disappear as they reach their 15th birthdays. The kids left in the dome have no idea what's going on in the outside world, or even if the outside world still exists. They're on their own. They name their territory The Fallout Alley Youth Zone, or FAYZ.
As if the struggle to survive (finding food, taking care of the younger children) weren't enough, the kids from Perdido Beach soon discover that the boarding school kids are dangerous rivals. Also, some of the kids start to develop unusual abilities (superpowers like invisibility and hyper-speed). These are sometimes helpful, and sometimes harmful, but always make things more complex. As do some developing romances between the main characters. And, oh yes, there's an evil force hidden in the depths of an old mine shaft, that (mostly in Hunger) creeps into the minds and influences the behavior of some of the kids.
"This is an irresistible premise and setting. The plot is fast-faced and compelling. The characterization is excellent, too. The kids have talents and insecurities and relationship conflicts. The primary hero, Sam, is a natural-born leader who resists taking charge. He's joined by other strong, interesting characters.
Although Gone is a long book, it moves quickly, and I read the whole thing in a single day. Each chapter has, instead of a title, a countdown to how long it will be until Sam turns 15. This device ratchets up the suspense."
and about Hunger:
"So what we have, in summary, is a battle between kids with superpowers and a mysterious evil force, set against a backdrop of social unrest after a natural disaster. Dystopia fans will find this series hard to resist. Fair warning, though. Hunger is very bleak. In some ways, I found it more bleak than Life As We Knew It and the Dead and the Gone (two of my favorites, by Susan Beth Pfeffer)... But I found the social dynamics of the book fascinating. There's a whole sub-plot centered around Albert, the boy in charge of the food, who is pushing for the re-introduction of money. He feels strongly that the only way to get kids to work is to give them some individual incentive. I found that whole thread well-done, without being at all message-y. I also liked the bits about kids adjusting to a dystopia set in a modern society - they miss Facebook and MySpace, and they want to keep their GameBoys charged, and so on."
I was a bit less enthusiastic about the characterization in Hunger (I couldn't quite internalize the struggles of the characters), but thought that the tension and issues were ratcheted up compared to the first book, and that it was a better book overall.
I think that the Gone series is an excellent addition to the genre, and will appeal to teen and adult dystopia fans. I think that the books would make great movies (or mini-series). And I'm looking forward to the next book.
Thank you so much Jen!
Friday, February 19, 2010
Let’s say someone loves SHADES OF GREY and wants to read other dystopian works. Which would you recommend?
You could do a lot worse than return to primary sources and visit the grandaddies of them all: 1984, Brave New World, Flatland, Fahrenheit 451, The Time Machine, Shape of things to come.
I found the idea of every person in the collective having to wear their feedback openly very amusing (a slippery slope from eBay perhaps?). What would your feedback say?
72% Positive Feedback from 521,879 reports. Opinion: Generally trustworthy
What would happen if Thursday Next from The Eyre Affair jumped into the book Shades of Grey? Now there’s a mash-up I’d love to see!
It won't happen. They are entirely separate. SoG happens in the 'Real' world and not the Nextian one. Mind you, I did reference one of my own books in SoG - sharp-eyed readers might be able to spot it!
Ah, too bad! Why do you think dystopian fiction has such a following these days? What’s the attraction?
Perhaps we are entering another cold-war type era, (Hot war era?) where apocalypse is once again alive in the zeitgeist. What will happen to us all? Will we get another chance? Can we get away from the whole 'killing one another' deal and do things better?
Are book bloggers on your radar? Do you think they are relevant in today’s publishing environment?
Hugely relevant. Blogging is very much another form of 'chatting on the bus' that publishers could never be party to. Only now the busses number several thousand, and many of them can carry upwards of half a million people on them. It's word-of-mouth Jim, but not as we know it.
Thursday, February 18, 2010
This 7 book series, known as The Shadow Children Sequence, is intended for a middle grade audience and while some content may be slightly unsettling for under 12s (there is death involved), there’s not really enough meat here to truly satisfy an older teen or adult reader. I read the first two, and probably won’t bother with the rest unless they happen to fall in my lap.
Book 1, AMONG THE HIDDEN, sets up the dystopian society nicely. Because of food shortages, parents are only allowed to have 2 children. Naturally some people break the rules, like Luke’s parents, who damn him to a life in shadows, indoors, and largely left to himself. At some point, he suspects another 3rd child lives in his neighborhood and he risks everything to meet her. This is Jen, and she wants Luke to join her in her quest to give 3rd children a voice. Jen plays the mentor role for Luke, awakening him for the first time to the possibility of living a real life, out of the shadows. She also illustrates the class struggle within this police state. Her family belongs to the Baron class, a privileged group of people who work for the government and thus can afford more freedoms (though having a 3rd child is not one of them). There are a lot of interesting ideas brought up, especially concerning government tactics to remain in control, but they are only superficially explored.
Still, I think AMONG THE HIDDEN is a good starting point for readers interested in trying out the dystopian genre thus my rating – 3 Zombie Chickens: Well Worth Reading (especially for younger teens and those new to the genre)
Book 2, AMONG THE IMPOSTERS, finds Luke taking over the identity of a recently deceased Baron boy his age and attending a very strange, yet ultimately very special boarding school. He’s picked on by his classmates relentlessly as he tries to blend in. Will he be exposed as an imposter?
The plot here was more of the action variety, though it takes a bit for the pace to pick up. At first, Luke can't find his way around the school at all, and he spends days just trying to find the privacy to read a scrap of paper given to him by the man who set him up with his false identity. It is satisfying to see how much Luke grows over the course of the book, and I thought the idea behind the school was really clever, but it ultimately just didn’t engage me as much as I hoped.
My rating – 2 Zombie Chickens: Enjoyable but not essential.
Find out more about the series, including the 5 follow-up books, at the author’s website.
Wednesday, February 17, 2010
When I first started this novel, I didn’t like it. From the ending of INCARCERON, I expected a bit more of a honeymoon period for the characters who got their (sort of) “happily ever after” ending in the Outside. Instead, they are still miserable and mope around annoyingly. Fortunately, a great twist perks them (and the story) up around 120 pages in, bringing the novel back to the high level of the first book – at least in the Outside world scenes. Here, the storyline and underlying themes deal with illusion vs reality and how much of our experience is perception. We finally get to see some of the rot under all the illusion of perfection in the Outside world. As a peasant who lives in abject poverty explains, “Era is no pretence for us, no playing at the past with all its edges softened. It’s real. You play at history. We endure it.” (p 203)
I still had my issues with the Inside scenes in Incarceron being too high fantasy (which to me was just too boring). There is also a character introduced who claims to be a magician but who also may be crazy. I never warmed to him, and found his whole purpose and the mythology surrounding him and Sapphique’s glove to be muddled and not especially logical.
And then the ending, as weird as it is, is also kind of brilliant. A mix of dark desperation and a twinkling of hope. And in the end, I’m glad I stuck with it.
My rating – 2 Zombie Chickens: Enjoyable but not essential.
SAPPHIQUE is already out in the UK in paperback, but won’t be released in the US until 2011. Can’t wait that long? You can have my UK copy! Just tell me in the comments if you need both books or just SAPPHIQUE. I’ll keep the giveaway open until March 8th at 11:59 PM CST and anyone can enter (yes international!).
Like a scientist, the author of a dystopian work of fiction creates a set of very particular conditions within which he runs his human experiment.
And of course Publisher's Weekly's recent article - Apocalypse Now - about the popularity of YA dystopias is not to be missed.
Tuesday, February 16, 2010
Oh wait, that's what they do anyway!
Don't forget to vote for Emmy and Finn in A Novel Menagerie's Beautiful Baby Contest in all three categories if you haven't already:
Most beautiful bab(ies)
Most adorable cat(s)
Right now they are losing and we can't have that can we?! Because if they lose, they might be too sad to appear on the blog anymore. And that would be a real dystopian situation.
ETA: In case anyone is really worried, I was just kidding about removing the cat pictures. Please do not overthrow me ;)
Monday, February 15, 2010
My reading during Dystopian February has been amazingly varied so far, proving that dystopian fiction comes in many different forms. I’ve read some that have skewed sci-fi, literary fiction, horror, even slightly “comic”. INCARCERON skews high fantasy (a genre I tend to avoid) thanks to a whole fantasy world existing within Incarceron.
Plot-wise, there is a lot going on here. We have Claudia on the Outside who is caught up in an assassination plot, preparing for her arranged wedding to the Queen's feckless son and discovering a device that lets her communicate with the Inside. Then we have Finn on the Inside who is on the run from his adopted clan and following the path of Sapphique, the only prisoner ever to leave the prison. He acquires a device that lets him communicate with the Outside (i.e Claudia).
It turns out that people on the Outside think that Incarceron is a perfect world, an experimental utopia if you will. Well, we all know what happens to engineered utopias don’t we? As one of the prisoners writes in his diary, “…is it that man contains within himself the seeds of evil? That even if he is placed in a paradise perfectly formed for him he will poison it, slowly, with his own jealousies and desires? I fear it may be that we blame the Prison for our own corruption.” (p 320) When Claudia finds out how bad it really is Inside, she makes it her personal mission to free Finn. But is it really that much better on the Outside?
I really enjoyed the philosophical questions the novel raised, the twisty plot, the interesting characters, and the world building of the Outside world (17th century to the naked eye, but with hidden washing machines – cool!). I was a little less keen on Incarceron itself. I liked that it was “alive” and its' all-seeing eyes (and the implications of that), but some of the scenes Inside kind of bored me because they were too high fantasy and too bogged down in description.
INCARCERON was just released this month in hardcover in the US and is available in paperback in the UK. Find out more about it at the author’s website.
My Rating - 4 Zombie Chickens: An Excellent Example of the Dystopian Genre
PS. Come back on Wednesday when I will be reviewing the sequel SAPPHIQUE and will offer both books in an international giveway!
See index of all dystopian reviews on Presenting Lenore
Sunday, February 14, 2010
In Maggie Stiefvater's Shiver, Grace and Sam found each other. Now, in Linger, they must fight to be together. For Grace, this means defying her parents and keeping a very dangerous secret about her own well-being. For Sam, this means grappling with his werewolf past . . . and figuring out a way to survive into the future. Add into the mix a new wolf named Cole, whose own past has the potential to destroy the whole pack. And Isabelle, who already lost her brother to the wolves . . . and is nonetheless drawn to Cole.
At turns harrowing and euphoric, Linger is a spellbinding love story that explores both sides of love -- the light and the dark, the warm and the cold -- in a way you will never forget.
Comes out in stores everywhere July 20th. Pre-order here.
Enter to win an advanced review copies of LINGER, Sisters Red, The Dead-Tossed Waves, and The Replacement on Maggie's blog.
Saturday, February 13, 2010
LOCKDOWN is very much a plot-driven action/horror spectacle aimed squarely at teen boys. You’re not going to find a lot of deep exploration of weighty themes here, but you are taken on quite the thrill ride as Alex navigates his way through his new hellish environment and plots his seemingly impossible escape. There are some very scary supernatural elements at work in the prison, and the main motivation to keep reading in spite of the nightmare-inducing setting is to discover just what the warden does with kids that are “taken” from their cells at night, never to return. And of course to hope that Alex and his buddies find a way out.
Being that there are two more books in the ESCAPE FROM FURNACE trilogy, SOLITARY and DEATH SENTENCE (coming in 2010 and 2011 in the US, but already released in the UK), this first book definitely takes over the set-up role, and although there is a measure of closure, the story you came for (i.e. escaping) is most definitely not complete (must get sequels now!).
Find out more about the trilogy on the author’s website. Also, read an interview with the author (where he mentions that dystopian classic 1984 and its "complex relationship between desperation and hope" was an influence on his work) at the publisher's website.
My Rating – 3 Zombie Chickens: Well Worth Reading (especially if you are into horror, or are a teenage boy)
Friday, February 12, 2010
This apocalyptic novel hits most of the beats you expect it to, especially if you’ve read this type of “everyman vs large scale catastrophe” angle before (such as LIFE AS WE KNEW IT by Susan Beth Pfeffer or INTO THE FOREST by Jean Hegland). There’s the mass panic race to get food and supplies with shocking moments of human ugliness, the grim reality of modern conveniences dropping away one by one, and the inevitable specter of death close to home. The unique selling point for me as a reader was the fact that it is from a mother’s point of view, a mother that would do anything to keep her children safe – and believe me, this mother has to make some heartbreaking, impossible, horrifying choices.
First-time novelist Buckley does some things amazingly well. The atmosphere she creates is pitch perfect, especially in the early chapters which are creepily foreboding. The narrative arc of Ann and Peter’s relationship is what holds the story together and it is both believable and touching. And there are quite a few memorable scenes that haunt you long after you read the last page (the one with a cough used as a weapon probably haunts me the most).
The plot can stretch credibility a bit with dramatic highs and lows more suitable perhaps for one of those high octane TV disaster movies of the week. Ann and the family are hit with one crisis after another – it’s relentless. But when they do catch a break, their good luck often seems illogical within the framework of the story which can be jarring (I can’t name specifics without spoilers, but if you want to discuss this, e-mail me).
There’s also the not-insignificant matter of the truncated climax and a very unexpected epilogue which switches to the first person perspective of one of the novels most criminally underdeveloped characters. On the one hand, the epilogue is a beautiful and emotional ending, but on the other, I kind of felt like it took the easy way out and left a lot of my questions unanswered.
THE THINGS THAT KEEP US HERE was released this month in hardcover. Find out more about it at the author's website.
My Rating – 3 Zombie Chickens: Well Worth Reading (I actually vacillated a long time between giving this 3 or 4 Zombie Chickens. So ask me tomorrow and I may have changed my mind!)